Wednesday, May 23, 2012
The Internet Is Not The Problem
Wednesday, May 9, 2012
You’re Not Religious. You’re Just Intuitive.
Friday, April 20, 2012
On Another Level Or In An Altered State?
Saturday, April 14, 2012
Is Superficial Judaism All That Bad?
Did hip-hop superstar, Drake, know that his new music video would stir such a machlokes among American Jews? Probably. Did he give a foreskin-sized hoot? Clearly not. Then again, it doesn’t appear that much consideration went into his music video at all. It was filmed in Miami’s Temple Israel sanctuary and depicts Drake’s “re-bar mitzvah,” showing the Jewish rapper reading from a Torah. The confusing part is, the profanity-filled, sexually explicit song, Hell Yeah Fucking Right, doesn’t seem to have much, if anything, to do with Judaism—unless you can see the connection between a bar mitzvah and lyrics like “But she was no angel, and we never waited / I took her for sushi, she wanted to fuck”. If you’re like me, you probably asking yourself, “Why the hell wasn’t sushi served at my Bar Mitzvah?” But I digress.
Only five days after its release, the music video had garnered well over 1 million views and predictably, a fair amount of bitter criticism too.
"What's the point of committing to a religion, whose principles you are not going to follow...?" one commenter wrote. "This is just making a mockery of Judaism. I do not practice Judaism, and even I am offended” offered another.
Meanwhile, Temple Israel’s president, Ben Kuehne couldn’t seem to make up his mind regarding the video. At first, he hoped that “Jewish youth will see the Drake video as a reminder to ‘re-commit' themselves to their Jewish religion.” Then Kuehne actually watched the video and quickly changed his tune, asserting, "Temple Israel does not adopt, condone, or sponsor any aspect of the Drake video, and was not involved in its production." Smooth Kuehne. Very smooth.
But with assimilation/intermarriage rates continuing to soar, perhaps it’s Drake with the ace up his sleeve.
Drake, whose real name is Aubrey Graham, was raised by his Jewish mother in Toronto and attended a Jewish day school. Today, the 25-year-old rapper is one of the biggest names in hip-hop and has been very public in embracing his Jewish roots. Ask yourself: Is there a more effective way to inspire curiosity among young Jews whose only connection to religion is knowing that their mothers’ last names once ended with “stein” or “berg”? Probably not. And while outreach programs continue to spend millions of dollars without making a dent in assimilation rates, Drake may have just done the Jewish population a significant favor.
Truth is, when it comes to encouraging unaffiliated youth to explore their Jewish heritage, you can preach Torah values, quote great sages and espouse the importance of Jewish continuity till you’re blue in the face. But those topics simply don’t register. Why? Because they lack any semblance of “cool”. Jewish/Black rappers, on the other hand, are cool. Hip-hop is cool. Irreverence is cool. (Ironically, overusing the word “cool” is not cool.)
Am I suggesting that Drake’s video become the foundation upon which a new generation of Jews practice? Of course not. But hey, whatever floats your boat. I am however suggesting that the video might just be the gateway for disconnected American youth to eventually experience something even more transcendent than, “My nuts hang like ain't no curfew, bitch, if you wave, then I will surf you” (which, to be honest, I still don’t completely understand.)
Apparently, Yitz Jordan, an Orthodox Jewish rapper who goes by the stage name Y-Love, agrees. "I'm ecstatic just to see Drake in a yarmulke period." he commented. "This is going to help a lot of Jewish kids of color stand up in the hood. Drake doing this is really going to help those kids."
As an ad guy, I feel qualified to speak about what sells, and Drake swigging Manischewitz outside a synagogue certainly sells. Not to mention fellow rapper Lil Wayne (also featured in the video), wearing a panda mask while lounging beside a lavish shmorg boasting matzo balls, bagels and gefilte fish, also sells. The same way Rabbi Shmulie Boteach featuring the word “sex” in almost every one of his book titles, sells. Or Matisyahu’s Chasidic exterior combined with his reggae infused hip-hop, sells.
Like it or not, nowadays religion is just another idea vying for our severely compromised attention. Promote it the same ol’ way and you may as well pray to inspire more followers. Try something different, and who knows?
Besides, ask yourself what’s more disturbing: Filming a music video inside a shul, or sitting in that same shul on a Saturday, reading about God testing Abraham’s devotion by commanding him to slaughter his only son?
Special thanks to JTA.org. Read more here
Thursday, March 22, 2012
Learning To Kill My Darling
Thursday, February 23, 2012
Congressman? Really?
Thursday, February 2, 2012
A Different Kind Of Observance
Tuesday, January 24, 2012
The 6 Freakiest Ads of 2011
This spot isn't really freaky so much as it is completely awesome. But it descends into a hallucinatory phantasmagoria, so it counts. It opens with a man at a Sonic drive-through being told he can get anything he wants on his burger. This sends him careening into a colorful, crazy daydream full of giant Sonic food floating around and Sonic workers making kaleidoscopic Busby Berkeley moves in roller skates. (The Dude's dream sequence in The Big Lebowski reportedly was an inspiration.) The music tops it off—a parody of "You Can Do Magic" by America, with lyrics that are stupidly and comically forced to rhyme. Throw in some wonderfully goofy acting, and you've got the year's looniest fast-food ad. I'll have what he's having.
Orkin has been doing humorously disgusting commercials starring giant insects for a couple of years now. In 2011, the pest-control company added a pair of nasty rats to the mix. These rodents of unusual size were quite musical—they're seen rocking out on guitars in a living room while a family is on vacation. When the homeowners return early, the rats don't scamper and hide. They stand their ground, and one of the rats even hisses, "We could use the boy ... on drums." Only when Orkin shows up do the rodents flee, peeling out hilariously in an old-style race car. A wonderful addition to a pleasantly freaky campaign.
Ah, proctology humor. It's one of the oldest and dirtiest tricks in the book. But this spot for Echo power equipment takes it into even nether-er territory. "I put up with a lot," our hero says, as his backside is investigated by a proctologist in full view of some medical students. "But one thing I won't put up with is outdoor power equipment that always breaks down. So, I use professional-grade equipment from Echo." He then whips out a weed whacker. Sure, it was among the year's crassest, most gratuitously stupid commercials—but intentionally so. Give it a little slack, and it won't hurt a bit.
Speaking of nonsensical—it isn't just candy advertisers who've perfected it. High-fashion advertisers are right there, too. Among the year's most ludicrous fashion-related spots was this loony film from Norway's Bjørg Jewellery in which a woman gets burned at the stake. Why is she burned at the stake? Don't ask why—this is art! (Well, it's artful . . . well, OK, it's just kind of stupid.) For some reason, Bjørg left the disclaimer off this ad: Unless you are certain your friend is a witch, do not try this at home.
The year's craziest celebrity endorsement? It had to be this Coors Light spot with Jean-Claude Van Damme comparing the beer to his frozen crotch. No, seriously. Here's his dialogue verbatim: "My pants froze, and froze hard. So tight. Even thinking about it takes me back. Have you ever seen a man-penguin walk after an intense mating season? Have you? When a man's pants freeze as rock solid as mine—let me tell you, my friends, even that was nothing compared to the ice-cold refreshment of a Coors Light. Man, my pants were tight." Chatting about your tight, frozen crotch and comparing yourself to an oversexed penguin—an interesting second act for the Muscles from Brussels. Points for not taking himself too seriously.
Click here to watch the adWednesday, December 14, 2011
Assume Nothing
Mark Twain famously wrote, “Clothes make the man. Naked people have little or no influence on society.” This was Twain's tongue-in-cheek commentary on a vacuous society, one in which the façade of credibility became an acceptable replacement for the real thing. It’s been over 100 years since Twain’s death but his musing remains as applicable today as it did then. We’re still astonished to hear about “men of the cloth” raping little boys. We still believe that the guy we’d enjoy having a beer with would make a competent leader of the free world. We still associate a dress made out of raw beef with creativity. And Matthew McConaughey still receives acting roles. Now the Jewish community is struggling to come to terms with Chasidic music star, Matisyahu, no longer fitting comfortably inside the stereotypical box we believed he was so happy in.
Assumptions are dangerous things. Whether its assumptions about the morality of a university football coach, the honesty of our elected officials, or the efficacy of drugs we’re bombarded with via advertising. Of course assumptions do make life easier. They remove the hard work associated with reconciling seemingly contradictory parts of the same equation. But they also set us up for bitter disappointment. Would Bernie Madoff have eviscerated so many people’s life savings had they not assumed all was well with his investment strategies? But I digress.
Yesterday, Matisyahu (a.k.a. Matthew Miller) posted two photos of his newly beardless face to the social networking site Twitter and added an explanation on his website a few hours later.
“Sorry folks, all you get is me…no alias. When I started becoming religious 10 years ago it was a very natural and organic process. It was my choice. My journey to discover my roots and explore Jewish spirituality—not through books but through real life. At a certain point I felt the need to submit to a higher level of religiosity…to move away from my intuition and to accept an ultimate truth. I felt that in order to become a good person I needed rules—lots of them—or else I would somehow fall apart. I am reclaiming myself. Trusting my goodness and my divine mission.” – Matisyahu
The transformation has predictably been met with mixed reactions. Some feel “duped” by the former Chassidic reggae singer. Some were eager to congratulate him for his bravery, while others simply questioned the financial wisdom of the decision, noting that Matisyahu’s iconic appearance had more to do with his rise to stardom than his talent alone. However, among these voices, those of discontent seem the loudest, even provoking Matisyahu to defensively respond via Twitter, “For all those who are confused: today I went to the Mikva and Shul just like yesterday.” This begs the question: Should he have felt ashamed were he not to take a ritual bath or attend synagogue? My point being: Matisyahu has every right to reformulate his image—especially when that image is based on something as contentious as religion. After all, religion begs critique, and even a lifelong struggle. People encounter similar dilemmas every day. The only difference being that most of us are not famous and consequently face far less scrutiny if we suddenly decide to zig when we were expected to zag. Would those expressing their dissatisfaction with Matisyahu’s transformation feel better if the singer were to maintain a Chasidic veneer for the sake selling albums of filling concert venues? Perhaps. Ignorance is bliss after all. Instead they’re being exposed to a level of sincerity they didn’t see coming. Their uneasiness is understandable. That’s the nature of change. Ultimately however, we should be appreciative of Matisyahu’s honesty and disappointed that we allowed our assumptions to get the better of us yet again.